Work — Sydney Donovan

I call the violet moon vinca

Works-In-Progress Run presented by Miniball | BF & Artists

Performed at Fringe Arts on April 6th, 2025

Choreographed by Britt Fishel in collaboration with performers

Performed by Lexi DiFilippo, Sydney Donovan, and Lydia Patselas

Poetry from Ada Limón

Music by: Ludovico Einaudi

"I call the violet moon vinca." Works In Progress Run at Miniball/FringeArts

Untitled

Presented as part of Live Artery| New York Live Arts

Presented by zoe | juniper company

Performed in New York Live Arts on January 12th, 2025

Choreographed by Zoe Scofield

Performed by Mandolin Noelani Burns, Melody Morrow, Caitlin Javech, Sydney Donovan, and Aden Hurst

Live Music by XIU XIU

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False Tongues

Presented by Britt Fishel and Artists

Performed in Christ Church Neighborhood House on November 1st and 2nd, 2024

Choreographed by Britt Fishel in collaboration with performers

Performed by Teigha Beth Bailey, Lexi Difilippo, Sydney Donovan, and Lydia Patselas

Music by Balmorhea, Sylvain Chauveau, and Mike Lazarev

Work Description:

Using digital storytelling, alongside the ephemeral movement of four women, Britt Fishel and Artists will share narrative pathways of the women accused of witchcraft in Salem, in 1692.

False Tongues focuses around the women accused and their peril, while navigating their place as scapegoats within their community.

The accusations primarily targeted women from various backgrounds, including marginalized members of society such as widows, women of lower social standing, and those who did not conform to Puritan norms. Many women were accused based on hearsay, rumors, and spectral evidence.

The trials resulted in the execution of 20 people, most of whom were women.

During the rehearsal process, Britt Fishel and Artists went deep into the history, studying the emotional climate and parameters that led to these events, which included a trip to Salem, where the artists visited the witch museums and memorial sites, to deepen the research further.

Through performance, we hope to share truth where there are misconceptions, find empathy though lived experiences, and examine a cautionary tale of mass hysteria, the dangers of superstition, and the consequences of societal paranoia.

Photography by Larry Dixon, Britt Fishel, & Rachel Roshani

The Listeners

American Premiere
Music by Missy Mazzoli
Libretto by Royce Vavrek
Based on an original story by Jordan Tannahill

Director: Lileana Blain-Cruz

Choreographer: Raja Feather Kelly

Principle Dancer: Sydney Donovan as the Coyote

Performed in September 2024 in The Academy of Music for Opera Philadelphia as part of The Philadelphia Fringe Festival

The Listeners examines the lengths to which we, as Americans, are willing to go to find a sense of place and purpose, and the way in which confident, charming leaders can exploit these needs to their own ends.

A middle-class mother (soprano Nicole Heaston in her company debut) living in a southwestern U.S. suburb notices a “hum,” a high-frequency environmental noise that only a select few people, the "Listeners,” can hear. A community organization quickly forms to solve the mystery of the hum, but when the de facto leader (Kevin Burdette) suggests a spiritual significance, the meetings become increasingly cult-like. Is this community of “Listeners” on a collision course with destruction?

Photos by Steven Pisano

Fruit of Her Lips

Choreographed by Evalina "Wally" Carbonell

Part of the Edinburgh Fringe Festival 2024

Performed in the GreenSide Ivy Theater on August 12th-17th of 2024

A mouth-watering interplay between the enigmas of feminine triune across the ages and the symbolic apple which satiates our collective hunger, this poetry and movement work features three international dance artists and one child performer.

Harkening to the classic art pieces and mythology, blended with spoken word and verse, audiences travel to a world where generations connect across time and space, growing hunger and poetry which comes to life.

Filled with daring physicality and poignance, Fruit on Her Lips delivers wisdom, destruction, sweetness, and gravity.

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Test 087

choreographed by Katarina Poljak

For Mascher Space's Fresh Juice at Philly PACK in June of 2024

performers/ collaborators Sydney Donovan & Kelli Thompson

Photographer James Cizlar

Sound for the piece by Eli Klein Coeli

~ A deconstructed version of what's to come. A study in time, mechanics, and shifting organs. This work is an experiment and study of movement that will evolve into the choreography of Source Architecture Film

Magritte and the Sneewittchen

Excerpts from Fruit of Her Lips

performed in May of 2024 at KYL/D's Inhale Series

choreographed by Wally Carbonell

Performed by Wally Carbonell, Sydney Donovan, and Sophia Melin

photography by Mike Hurwitz

Rhythm Bath

September 17–24, 2023 at Christ Church Neighborhood House

One six curated performances at the 2023 Philadelphia Fringe Festival.

“Rhythm Bath” is a collaboration between choreographer Susan Marshall and set designer Mimi Lien -with dancers Rohan Bhargava, Ching-I Chang, Sydney Donovan, Nico Gonzales, Courtney Henry, Shayla-Vie Jenkins, Vanessa Knouse, Albert Quesada, Gabrielle Revlock and Darrin Michael Wright

Lighting by Jeanette Yew

Music/sound by Dan Trueman and Jason Treuting

Costumes by Oana Botez

Co-produced with the Institute on Disabilities at Temple University and Lisa Osborn

Rhythm Bath blends performance, meditation, and wonder, inviting you to sense the dance happening around you. Come and go as you like—explore the accessible, transporting space of shifting fabric, light, sound, and movement. Dancers perform in the space intermittently over the course of an hour.

Rhythm Bath is a dance performance-installation that investigates what makes performance environments welcoming to both neurodiverse and neurotypical audiences. It has been designed from the start with neurodiverse advisors, with choreography by Susan Marshall in collaboration with the dancers, and set design by Mimi Lien.

Photography by Ashely Smith

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Hair

Premier work choreographed by Hillary Pearson

Performed at The Icebox Project Space in September of 2022

the other shore

produced by ZOE | JUNIPER

choreographer-Zoe Scofield

visual director- Juniper Shuey

project director-Lilach Orenstein

set designer-Sara Brown

lighting + original sound-Evan Christian Anderson

dramaturge- Meredith Glisson

performers- Sydney Donovan, Gilbert T Small II, Claude Johnson, Kehari Prayer, and Zoe Scofield

Filmed/Performed in May of 2021 while in residence at Massachusetts Museum of Contemporary Art (MassMoCA)

Virtual Experience | Jacob’s Pillow Premiere | August 17 at 7:30pm Eastern [Tickets must be purchased by July 15. This event is available to audiences only in the continental United States.]

For tickets visit…

https://www.jacobspillow.org/events/zoe-juniper-2021/

The Other Shore - Bronze Room - Directors View - zoe | juniper

Inside the Pillow Lab: Zoe Scofield

The Other Shore - Solo Room - Directors View - zoe | juniper

She will come on her own

choreographed by Lilach Orenstein

performed by Sydney Donovan & Jhelan Gordon-Salaam

Filmed June of 2021 while in residence at The Center at West Park (Upper West Side Manhattan, New York)

Premiered June of 2021 at Machol Shalem Dance House in Israel

dramature- Meredith Glisson

light designing- Krista Smith

original music-Evan Anderson

director of photography-Gabriel Torres

photographer- Mon Iker

The Philadelphia Matter 1972/2020

choreographer/director/writer David Gordon premieres his first new screen work in two decades with a “virtual” performance company of 30+ Philadelphia artists working remotely to record video material on everything from iPhones to professional cameras. Gordon then dissected, assembled, and collaged this movement with visual scores and archival works in collaboration with video artist Jorge Cousineau. The Philadelphia Matter – 1972/2020 cast includes Wally Cardona and Pick Up Performance Co(s) members Karen Graham and Valda Setterfield.

The final composition premiered the first night of the 2020 Fringe Festival, Sept 10th- Oct 4th

In anticipation for the films release cast members performer excerpts of David’s archived work “Chair” in front of the Neighborhood House at Christ Church in old city Philadelphia during the weekly Farmers Market.

Philadelphia Virtual Company: Mehgan Abdel-Moneim, Megan Bridge, Marie Brown, Sanchel Brown, Eun Jung Choi, Amalia Colón-Nava, Sydney Donovan, Bethany Formica, Beau Hancock, Nile Harris, Justin Jain, Shayla-Vie Jenkins, Jungeun Kim, Megan Mazarick, Lucas Mikan, Rhonda Moore, Guillermo Ortega, Rebecca Patek, Dawn Pratson, Lauren Putty White, Gabrielle Revlock, Nick Schwasman, Margot Electra Steinberg, Katie Vickers, November Ward, and Jacinta Lee Yelland.

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AVIVA (Film)

AVIVA

a movie by Boaz Yakin

produced by Bobbi Jene Smith & Boaz Yakin

Filmed in 2018, Premiered in 2020

Dance Scene: Zeke’s Video

Choreographed by Bobbi Jene Smith and Or Shraiber

Music: Assaf Avidan

How many times?

Performed at HERE Arts Center in New York City on February 15th/16th of 2020

A new quartet by dancer-choreographer Paul Matteson draws from children’s books of courage and Early Buddhist chants to create an intertwining world of dance and story. Performed by Sydney Donovan, Brandon Graf, Paul Matteson and Andrew Smith.

Paul Matteson is an assistant professor in the School of Dance at University of the Arts. His current choreography explores the imaginative intertwining of text and movement. Paul was a member of the Bill T. Jones/Arnie Zane Company from 2008 to 2013. He has also worked with David Dorfman Dance, Lisa Race, Terry Creach, Peter Schmitz, Keith Johnson, Neta Pulvermacher and others. Matteson received a New York Dance and Performance Award (BESSIE) for his “Body of Work” as a performer. another piece apart, his duet with longtime collaborator Jennifer Nugent, premiered at New York Live Arts and the Boston Dance Complex in 2018 and will be performed at The Bates Dance Festival in the summer of 2020.

this was an important errand

A Tide Within the affairs

Performed in Chi Movement Arts White box Theater on Feb 29th, 2020

Part of KYL/D’s Inhale Performance Series

Presented by Valerius Productions

Choreographed by Emma Valeria

Music by Mixed Media, Max Richter

Photographer: Mike Hurwitz

enclose...wellspring...retreat

Performed in the Wallace Gallery at the Philadelphia Museum of Art in October 2019

Part of the Museums Friday Remix: Philly’s new after-hours art event

Presented by <fidget> experimental performance group

Choreographed by Megan Bridge in collaboration with performers

Music by Peter Price

Photos: Ryan Collerd

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Semele

Opera Philadelphia Company Premiere

Directed by James Darrah

Choreographed by Gustavo Ramirez Sansano

Staged by Lindsey Matheis

Performed in the Kimmel Center’s Pearlman Theater in September of 2019

Photography: Dominic Mercier

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Democracy

Restaged work from 1997 choreographed by Doug Varone and Dancers

Restaged by Hsiao-jou Tang

Performed in the Merriam Theater in spring of 2019

Photography by Ian Douglas

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we don't know yet (let them look at you.)

Restaged work from a piece that premiered in 2015 choreographed by Zoe Scofield in collaboration with dancers

Performed in the Merriam Theater in spring of 2019

Photography by Ian Douglas

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Excerpt from "we don't know yet (let them look at you.) 2015" choreographed by @zoescofield in collaboration with dancers. So honored to have been part of the process and piece. ❤️🖤

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She Will Come on Her Own

Installation produced and choreographed by Lilach Orenstein

Performed by Sydney Donovan and Adriana JiGo

Exhibited at the University of the Arts MFA Research as Action Showing

Description of work from Lilach Orenstein…

“I engage with questions about the female stereotype and its place in society. Why is that in 2019 we are still operating on the basis of stereotypes which are from an era of complete male dominance?

During the performance, the audience watches through designed openings which define, limit and shape the content it can watch. My goal is to emphasize our need to see beyond the “glasses” that were made and put there “for us” ever since. The dancing material is inspired by love positions. In most positions, the man manipulates the woman’s body. As women, we mustn’t accept on ourselves frames which are too small to contain us, stand in silence before definitions which narrow or limit us and explain to us who we are. We should never be seen in the way the viewer’s “glasses” were designed for them to see us in.

In the performance, two women will perform and take the roles of both the man and woman parts. The holes in the separating screens allow you to look only in a certain way at the performance.

Throughout the performance, the viewer needs to physically find new viewpoints and follow the dancers. It requires the audience to adapt and engage in the constant change of their own views on the dancers and the performance.

The creation investigates new ways to engage with an audience. Demanding constant movement following the choreography, stimulating multiple senses besides sound and vision, giving more choices to the audience in determining its place and viewpoint in real time are all a part of the experience. The audience choices in the performance strengthen the bound and connections between it to performance and performers and initiate a deeper dialogue into the performance’s content.”

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perennial

Senior thesis work choreographed by Jazmine Colon in collaboration with dancers

Performed in the Gershman Y- Gym Theater in 2019

Photography by Ian Douglas and Casey Shea

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The place behind my throat

Senior thesis work choreographed by Brandon Graf in collaboration with dancers

Performed in the Gershman Y- Gym Theater in 2019

Photography by Ian Douglas and Casey Shea

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Endless Mountain

Premier work choreographed by Bobbi Jene Smith

Solo made in collaboration with Sydney Donovan and Bobbi Jene Smith

Performed in the Merriam Theater in fall of 2018

Photography by Ian Douglas

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Excerpts from Endless Mountain by Bobbi Jene Smith

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What/ do/ I/ do/ when/ my/ love/ is/ away?

Premier work choreographed by Paul Matteson

Performed in the Merriam Theater in fall of 2018

Photography by Ian Douglas

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Excerpts from "What / do / I / do when / my love is / away?" by Paul Matteson

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Lost Mountain

Premier work choreographed by Bobbi Jene Smith

Solo made in collaboration with Sydney Donovan and Bobbi Jene Smith

Performed in the Forrest Theatre in spring of 2018

Photography by Ian Douglas

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a spell from Lost Mountain by Bobbi Jene Smith

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Pulse

Premier work choreographed by Milton Myers

Performed in the Forrest Theatre in spring of 2018

Photography by Ian Douglas

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in for

Premier work choreographed by Bobbi Jene Smith

Solo made in collaboration with Sydney Donovan and Bobbi Jene Smith

Performed in the Merriam Theater in fall of 2017

Photography by Ian Douglas

in for

Carry Me

Premier work choreographed by Evalina Wallis Cain Carbonell

Performed at the KYL/D Black Box Theater in 2018

Part of Philadelphia’s Fringe Festival

Photography by Mike Hurwitz

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Rehearsal Video of Carry Me duet

Jacob's Pillow Gaga Program

Performed on the Jacob’s Pillow Inside/Out Stage in 2018

Excerpts from Mamootoot, Kamayutot, Decadance, Sadeh21, and Naharin’s Virus

Choreographed by Ohad Naharin staged by Bret Easterling and Michal Sayfan

Photography by Noor Eemaan

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improv from the Pillow

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Todo el Jardin es La Luna

Senior thesis work choreographed by indigo Sparks in collaboration with dancers

Performed in the Gershman Y- Gym Theater in 2017

Photography by Ian Douglas and Casey Shea

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Todo el Jardín es la Luna solo

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Still Three Fifths

Senior thesis work choreographed by Jon Baldwin in collaboration with dancers

Performed in the Gershman Y-Gym Theater in 2017

Photography by Casey Shea

Side Effect

Evening length work choreographed by Melissa Rector

Performed in the Koresh Black Box Theater in 2017

Excerpts performed in Koresh Dance Company’s Come Together Festival 2017 at the Suzanne Roberts Theater

Photography by Frank Bicking

Come Together Festival performing "Funny, but?" choreographed by the amazing Melissa Rector. Hooray for beautiful inspiring pals.

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Chaos

Premier work choreographed by Jesse Zaritt in collaberation with dancers

Performed in the Gershaman Y-Gym Theater in 2017

Photography by Ian Douglas

BARRY

choreographed by Asya Zalatina

Performed at the Lincoln Center, Kennedy Center, and the Performance Garage as part of Philadelphia’s Fringe Festival

Photography by Mike Hurwitz and Frank Bicking

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BARRY: Mamaloshen in Dance! at Booking Dance Festival APAP 2018

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Civil Society

Premier work choreographed by Sidra Bell

Performed in the Merriam Theater in 2016

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saturday at 7pm and Sunday at 5pm at the Merriam Theater

Wear Your Feelings

Media works by Hillary Pearson from 2018-2019

VAG-a-bond . . . . . . . . . .

hillapea choreography

Wear your feelings!

10.11.12

Senior thesis work choreographed by Rachel Nieitzke

Performed in the University of the Arts 1401 Studio Space in 2016

Photography by Bill H.

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Turandot

choreographed by Renaud Doucet under the Philadelphia Opera Company

Performed in the Academy of Music in 2016

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Forward

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in 2015

Photography by Frank Bicking

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Trails

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in May of 2014

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Echoes

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in 2014

Photography by Frank Bicking

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The Heart

choreographed by Roni Koresh

Koresh Youth Ensemble

Performed in the Arts Bank Theater in 2014

Western Slang

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in 2013

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Regroup

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in November of 2013

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Trap

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in May 2013

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Surge

Premier work choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in December 2011

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One Face Plant Short of Wisdom

Senior thesis work choreographed by Blair Elliot

Performed in the Drake Theater in 2013

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One Faceplant Short Of Wisdom

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Sometimes Y

choreographed by Melissa Rector

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in May 2011

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Koresh Youth Ensemble - Sometimes Y, May 2011

Negative Spaces

choreographed by Roni Koresh

Koresh Youth Ensemble opening for Koresh Dance Company Home Season Performance

Performed in the Suzanne Roberts Theater in October 2010

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Koresh Youth Ensemble - excerpt from Negative Spaces, October 2010

I call the violet moon vinca

Untitled

False Tongues

The Listeners

Fruit of Her Lips

Test 087

Magritte and the Sneewittchen

Rhythm Bath

Hair

the other shore

She will come on her own

The Philadelphia Matter 1972/2020

AVIVA (Film)

How many times?

A Tide Within the affairs

enclose...wellspring...retreat

Semele

Democracy

we don't know yet (let them look at you.)

She Will Come on Her Own

perennial

The place behind my throat

Endless Mountain

What/ do/ I/ do/ when/ my/ love/ is/ away?

Lost Mountain

Pulse

in for

Carry Me

Jacob's Pillow Gaga Program

Todo el Jardin es La Luna

Still Three Fifths

Side Effect

Chaos

BARRY

Civil Society

Wear Your Feelings

10.11.12

Turandot

Forward

Trails

Echoes

The Heart

Western Slang

Regroup

Trap

Surge

One Face Plant Short of Wisdom

Sometimes Y

Negative Spaces

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